Love Analysis Essay
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Love is not a god as the fine philosophers of Greece once suggested. Love is something far more powerful and universal, for not all people believe in gods, yet people cannot refuse the existence of love. Instead, love is a condition of the human body that cannot be denied. True love is obstinate; in the way that music pours into the ears of an audience, love pouring into the heart of a man cannot be stopped, denied, or set off course. Love is a natural instinct. You cannot artificially make love where there is none or where it does not belong. Yet, the condition of being in love grows independent of all rationale. It grows places where an observer may not understand its existence. Attempting to fight love in such a situation leaves even powerful and noble families, such as the Capulets and Montagues, suddenly powerless. When love takes control of two souls, it takes the lovers on a journey. The journey is the growth of love throughout its many progressive stages. In this way, the growth of love between two people is analogous to the growth and development of a painted masterpiece. A work of art and a bond of love both have distinct stages and characteristics. A painting initially begins with a vision in the mind of the artist. This vision is a perfect vision that the artist will strive to replicate on her canvas. Similarly, love often begins on a visual level based on the physical attractions between two people. The vision of the painter is soon transformed into quick, loose sketches. The pencil freely marks the page; the artist has no control over where it goes, he merely paints. Similarly, lovers have no control over their new feeling of love that has taken over their bodies and rendered them helpless. After an artist has loosely suggested the outline of the image, color is added. The colors she initially adds are bright, basic colors. At this stage, the painting is appealing to the trite observer. This type of observer fails to see that the painting is actually incomplete because the simple and bright colors appeal to his basic senses. This stage of a masterpiece reflects a common stage of love: the stage often referred to as “puppy love.” This stage of love is simple and immature like the basic colors of the painting. It relies on an almost primitive drive where little thought is necessary; this love is based on simple, pure, and instinctual attractions. At this stage, the lovers are love-struck and constantly in each other’s company. As with the painting, an observer of this love will think the couple complete. To him they are the epitome of love, when in actuality they are in the mere elementary stages of a great and powerful bond of love. The next...
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