Tattoos Essay
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The tattoo industry is an often type cast field, in many instances it is thought of as
a delinquent activity carried out in remote and filthy cesspools of social deviancy by large
hairy burly men who cant get a "real" job due to past felonious activity. I hope to shoot
this popular misconception full of holes. One will find through experience only that this
is truly not the case, these are legitimate places of business, ran n accordance to all health
ordinances by law abiding citizens.
I have targeted a tattoo studio on Bessemer avenue, by the creative name of
"Inkslingers." As a matter of fact I received three of five tattoos here by Kevin Spainhour
who is also the subject of my interview. Judging by the parking lot, you would never
suspect this place as being a successful propriety. The lot is ragged and broken with no
more than half a dozen parking spaces, of those three are occupied by employees. As you
approach the bright yellow sandstone building you cant help but admire the airbrushed
artwork for a moment. The entrance is surrounded by tonguerings earrings dice and other
assorted items.
As you walk in the front door you find yourself standing in front of a glass
jewelers case. This is the counter where you pay for your overpriced tattoos, jewelry or
other items. The man behind the counter was a very friendly black man about six feet tall
with a pierced eyebrow. He greets each visitor with a welcoming "hello." There is a
partisian to the right that sections off the tattoo artist's offices. This is where they go to
prepare the stencils for each tattoo. Past this room is a lounge with two bright red
couches and a glass coffee table with between them. On top of the coffee table sits two
tall stacks of tattoo magazines. All four walls of this room are covered from the floor to
the ceiling with flash. Flash are the pictures and designs that the studio provides for
customers to choose from. Each section of flash is about the size o a piece of notebook
paper and can have anywhere from one to forty different pictures on them. The studios
are usually rather protective of these as each page costs anywhere from two to seven
dollars. Of course customers do not have to chose their tattoo from the flash, they can
bring in their own pictures from the internet, television, magazines, even your very own
artwork or drawings. Their repetuar consisted of hundreds of different things tribal
desighns, flowers, surreal objects and scenery, skulls, an assortment of animals, and any
number of other things. It was quite impressive. From this room the piercing room
branches off. Inside there is a reclining dentist's chair, a counter, and cabinets. It's full of
medical grade equipment, sanitizing solutions, and Dixie cups. It is really not that much
difference in appearance to an ordinary examining room that would be found at any
reputable doctor's office, with the exemption of the pictures of past piercings pinned to
the walls. The last main room has a large pool table and a coke machine. There are four
doors in this room one leading to the bathroom, and the others leading to small tattoo
roooms. The rooms are decorated by their designated tattooist. Kevin's room was
covered from top to bottom in very interesting pictures. On top of the shelves sit
macabre action figures of Spawn, Kiss and Ozzy. It is slightly cluttered with all the
various trinkets, but it is interesting. It was in this room that I gave the interview. Kevin
Spainhour has been giving tattoos for over seven years. He began as a tattoo enthusiast.
He received several from a man named "Bull" at a shop called "Dynamic Design." He
ended up spending so much time there, even when not getting tattoos that Bull took him
in as an apprentice. Kevin reminds me that this was just his experience. Eventhough he
fell into it many people plan and prepare for it by attending a school of the arts. After six
months of apprenticeship he began to tattoo professionally but that was not the end of his
education in the field, he is still learning even today. He stays current on new techniques
and styles, he takes a little bit away from each tattoo he does. One might not associate
continuing education with the tattoo education. Kevin enjoys his job each and every day.
He of course has to do the occasional tweety-bird tattoo which is more of a chore than
anything else for him, but for the most part he is very enthusiastic about each piece he
does. According to him one of the most important skills he had to acquire is the ability to
stay slow and steady. It is a natural tendency to want to rush or hurry but a good tattoo is
done very methodically. They have to remain constantly aware of where the needle has
been, where it is, and where it is heading. When Kevin works it is very different from
traditional art, it seems more of an exacting procedure than anything else. If he was not
meticulous in his work the customer will end up...
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