Term paper on Internal And External Violence In Short Fiction

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Anglo Saxon-Medieval-And Renaissance Eras
A culture that evolves and changes through time is a healthy culture indeed. From the early pagan warriors to the artisans of the Renaissance, the European world dramatically reformed. The literature of each era indicates the profound cultural innovations. The Anglo-Saxon’s arguably most impor

Innocent Until Proven Guilty
Le Anh Sharpe Essay #3 Eng. 101.049 Jackson 12/3/98 Innocent Until Proven Guilty Tabula rasa: the mind before it is developed and changed by experience. Philosopher John Locke believed that at birth and in infancy the mind is completely passive, a clean slate, tabula rasa, on which the experie

Specific time periods, such as World War II, and the Post-Civil War era bring to mind

images of hate, death, and violence. Not solely external violence or violence that is

carried out, such as murders, war, or blatant displays of violence such as those in Ellison’s

Battle Royal, but internal violence as well. Internal violence is more about the mind, a

violence of emotion, though internal violence is closely linked to external violence. They

are linked not only because external violence causes internal violence, but also because of

the reverse. This is seen in the works of Ellison, Borowski, O’Connor, and DeLillo.

In “A Good Man is Hard to Find,” O’Connor shows the effects of internal

violence compared to external violence. On one hand you have the family members that

are brought off to be killed. The only thing the author lets the reader know about their

fate is a solitary scream when the mother, daughter, and baby are taken away. However,

for the entire time that the family is being held hostage, the grandmother is talking to The

Misfit. She shows how people react to the internal violence of a stressful, and fatal ordeal.

She pleads with The Misfit not to save her grandchildren’s lives, not her son and

daughter-in-law’s lives, but only her own. She has no fear for anyone but herself and is

consumed by the need to preserve her life. She tries everything she can to get The Misfit

to spare her. She tries to convince him that he is of good blood, and could never kill a

lady such as her self. She even tries to get him to turn to God for help. Of course none of

this works but it makes a point. It makes the point that when faced with the fear of

external violence, people will do anything to get out of it, and it puts a large strain on the

victims emotions. The mere threat itself is internal violence because of this.

Ralph Ellison’s “Battle Royal” depicts external violence in a very forward manner.

Ellison describes an evening in which ten black men are first forced to fight blindfolded,

and then made to crawl on an electrified carpet to get their cash prize. “Everyone fought

hysterically.” Ellison writes, “It was complete anarchy. Everybody fought everybody else.

No group fought together long. Two, three, four, fought one, then turned to fight each

other, were themselves attacked (Charters 453).” Directly after the fight the combatants

are forced to crawl over an electrified carpet to collect money. The men are forced to

degrade themselves by crawling around trying to grab money, the whole time being

electrocuted, to the amusement of the audience, there for a night of entertainment. These

events were not only an example of external violence, but internal as well. The external

violence was also in a sense internal because the whole point of it was to degrade and

embarrass the participants. The room full of white men where there simply to watch the

black men entertain them, fight for them, and suffer for them. The laughter of the crowd

was equally as violent as the fight. Instead of punches being thrown, words and emotions

were. The reader is given a good sense of how the narrator is being mentally beaten, as

well as physically, once he starts to give his speech, which was the reason he was at the

event in the first place. As soon as the speech began, the crowd yelled for the narrator to

speak up, so he was forced to practically yell the entire speech (even though most of the

crowd was not listening), directly after being in a grueling fight. “I spoke even louder in

spite of the pain. But still they talked and still they laughed, as though deaf with cotton in

dirty ears (Charters 457).”

In “This Way for the Gas Ladies and Gentlemen,” Tadeusz Borowski describes

internal violence with great ability. There is very little external, or physical violence

shown in the story, but there is a great display of mental violence shown, which is

characteristic of the topic. World War II had a lot to do with internal violence. Granted

there was plenty of external violence, even to a nightmarish extent, but the worst damage

was done to those who lived through the entire ordeal. The story...

Charters, Ann, Comp. The Story And It’s Writer. Bedford/St. Martins: Boston and New

York, 1999.

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