Essay on Agatha Christie S Use Of Literary Allusions
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Agatha Christie's Use of Literary Allusions
There She Weaves by Night and Day a Magic Web With Colours Gay
Classic nursery rhymes, great poetry, Shakespearean plays, and modern drama all contribute to the intricate web of mystery that Agatha Christie wove in her many works. The meshing of literary allusions and several interwoven plots actively involve the reader and maintain the book’s suspenseful atmosphere. Famous for her misdirection of readers through foreshadowing, dialogue, and pointless implications, her techniques captivate and force the reader to think along a certain path while the murderer stays out of suspicion. Because of these techniques, Christie became internationally successful. Her books have been translated into more languages than any of Shakespeare’s plays. Her books have sold over one hundred million copies throughout the world (Yaffe Internet).
Christie’s use of literary allusions begins with the titles of her novels and short stories. Her title By The Pricking of My Thumbs suggests supernatural evil by suggesting the witches from Shakespeare’s Macbeth. How Does Your Garden Grow, One Two Buckle My Shoe, Fiddlers Three, and Hickory, Dickory, Death all suggest childish recitations with a chilling twist (Miller Internet). The loss of Tennyson’s heartwrenching poem, “The Lady of Shalott” is encountered in The Mirror Cracked From Side to Side. This title comes directly from a line of Tennyson’s poem (Mirror 53).
“Cover her face; mine eyes dazzle: she died young.” (Sleeping 17). These words are spoken at the climax of John Webster’s dramatic play, The Duchess of Malfi. In the play, a man coldly speaks these words over the corpse of the sister that he has just murdered. These words are also a vital clue in Sleeping Murder, one of Agatha Christie’s most intense mysteries. In this book, a woman watching this play is horrified when the murderer calmly speaks these words on stage. The quote causes the woman to recall, after twenty years, a grotesque event that she witnessed as a child – the murder of her stepmother, Helen Kennedy. Although the child did not see the killer’s face, she heard his voice – quoting The Duchess of Malfi. The investigation of Helen’s death is reopened, and many are suspected. Anyone with knowledge of the play, however, would be led directly to the correct suspect. It was Helen’s brother, who, like the murderer in the play, killed his youthful sister (Sleeping 169).
Christie also used allusions to nursery rhymes, well-known literature for children. Often, however, the rhymes multiplied the suspense. In And Then There Were None, Christie had her doomsday judge...
Christie, Agatha. And Then There Were None. New York: Dodd, Mead & Company, 1940.Christie, Agatha. Sleeping Murder. New York: Dodd, Mead & Company, 1930.
Christie, Agatha. The Mirror Cracked From Side to Side. New York: Berkeley Books, 1962.
Yaffe, Ben. Biography of Agatha Christie. Internet: http://www.nltl.columbia.edu/users1/bkyaffe/wwwac/acbio.html, 1997.
Grost, Michael. Agatha Christie. Internet: http://members.aol.com/mg4273/chris1.htm, 1997.
Miller, Carol. Agatha Christie’s Books. Internet: http://falcon.jmu.edu/~millerca/christie.htm, 1995.
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