Term paper on Evenge And Love Theme In Wutheing Heights By Emily Bronte
Evenge And Love Theme In Wutheing Heights By Emily Bronte Essays
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Explore the writers oppression in Nineteen Eighty Four and Brave New World
Both Orwell and Huxley present to the reader in their novels Brave New World and Nineteen Eighty Four, a new society, one reinvented where totalitarian aspects of society rule. Both societies strive for stability and inevitably a utopian society. Orwell and Huxley explore the possibilities of achieving this, and warn of the dangers and impracticability of attempting such a society where individualism is crushed, and conformity and submission is adamant.
Huxley and Orwell achieve this by dispelling/disregarding institutions and norms that form a society recognizable today and replace them with substitutes that create/promote a dysfunctional, dystopian society.
As each novel progresses it is clear that neither societies contain family values, or attempt to live by them. This affects how society and those belonging to it, express and forms itself through recognised relationships, bonds, actions and norms identified by readers. Both societies are corrupted by this, in Brave New World, Huxley creates a race that has no self respect as sexual beings, as the value and expression of love no longer exists. The World Controllers encourage society as a whole to become the ‘family unit’, ‘ The World was full of fathers - was therefore full of misery; full of mothers - therefore of every kind of perversion from sadism to chastity; full of brothers, sisters, uncles, aunts - full of madness and suicide’ (PG 34) By creating taboos concerning the family institution as a whole Huxley successfully encourages his characters to associate the family with inferior, undesirable imagery, the use of language Huxley encourages affects the readers horror of the created norms existing in such a society and the lifestyles of those living in Huxleys imagined society.
This is contrasted in Nineteen Eighty Four, Orwell does not go as far in Huxley that natural conception and birth is abolished and reconstructed elsewhere, however family loyalty and love is discouraged, and the sexual act is reduced to merely begetting children. Orwell successfully accomplishes this by introducing the concept of the Anti-Sex League, ‘Its real, undeclared purpose was to remove all pleasure from the sexual act... Sexual Intercourse as to be looked on as a slightly disgusting minor operation, like having an enema.’ / ‘There were even organizations such as the Anti-Sex League which advocated complete celibacy for both sexes... The Party as trying to kill the sex instinct or, if it could not be killed, then to distort it and dirty it.’ Orwell imagines a society that again uses the same narrative technique as Huxley he uses debased language and imagery through extremely effective propaganda. The constant use of this in Orwell’s novel expresses how easy and it is for the leaders to influence its people.
The breakdown of the family in both novels ultimately allows the rest of society to crumble and both governing bodies to secure the love of its people, shown in both the novels mottoes, COMMUNITY, IDENTITY, STABILITY of Huxleys creation, and the three slogans of Orwells novel, WAR IS PEACE,
FREEDOM IS SLAVERY,
IGNORANCE IS STRENGTH.
Both slogans ask for submission as being accepted healthy thing to do, the language in both slogans are positive and evoking as in a recipe for victory that subconsciously is accepted by society.
The main area in both novels that is corrupted and distorted by both Orwell and Huxley is the family this essentially leaves those in society isolated and dependant on their respective governments.
Huxley does this in a Brave New World, as he opens by presenting us with an unrecognizable technically advanced future world/society. It begins in a conditioning center of London; this is the basis of Huxley’s presentation of control in society. The image we are thus confronted with is daunting and unknown ‘The overalls of the workers were white, their hands gloved in a pale corpse-coloured rubber. The light was frozen, dead, a ghost. Only from the yellow barrels of the microscopes did it borrow a certain rich and living substance...’
In the opening chapter Huxley conveys/reinforces this image of sterility by using harsh, clinical imagery and language, allowing the reader to form an uncomfortable awareness of the society that has evolved in his/the novel. The sterile imagery presented here at the opening chapter is echoed throughout, and impresses Huxleys deliberate presentation and use of language in this manner discomforts the reader creating a society of unrest, dissettlement far from a cozy, warm, flawless, faultless, ideal that conveys images of a utopian, and perfect society today.
Running concurrently Huxley creates one immense home, he shows his characters living in an environment with no privacy or isolated personal time by vividly describing the accepted and normal living conditions the citizens of a Brave New World live in ‘From her dim crimson cellar Lenina Crowne... walked down a long corridor and, opening the door marked GIRL’S DRESSING ROOM, plunged into a deafening chaos of arms and bosoms and underclothing... everyone as talking at the top of her voice. A Synthetic Music Machine as warbling out a super-cornet solo’.
Huxley emphasises this by creating an atmosphere of a buzzing, noisy, active background by describing the scene in immense detail, to express to the reader the intense claustrophobic lifestyle that the citizens...
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