Lysistrata Term paper

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Aristophanes was a "craft" comedy poet in the fourth century B.C.

during the time of the Peloponnesian War. Aristophanes' usual style was

to be too satirical, and suggesting the outlandish. He shows little

mercy when mocking Socrates and his "new-fangled ideas" which were most

likely designed to destroy the cohesiveness of society and lead to

anarchy, in his play The Clouds.

The most absurd and humorous of Aristophanes' comedies are those in

which the main characters, the heroes of the story, are women. Smart

women.

One of the most famous of Aristophanes' comedies depicting powerfully

effectual women is the Lysistrata, named after the female lead character

of the play. It portrays Athenian Lysistrata and the women of Athens

teaming up with the women of Sparta to force their husbands to end the

Peloponnesian War.

To make the men agree to a peace treaty, the women seized the

Acropolis, where Athens' financial reserves are kept, and prevented the

men from squandering them further on the war. They then beat back an

attack on their position by the old men who have remained in Athens

while the younger men are out on campaign. When their husbands return

from battle, the women refuse to have sex with them. This sex strike,

which is portrayed in a series of (badly) exaggerated and blatant sexual

innuendoes, finally convinces the men of Athens and Sparta to agree to a

peace treaty.

The Lysistrata shows women acting bravely and even aggressively against

men who seem resolved on ruining the city-state by prolonging a

pointless war and excessively expending reserves stored in the

Acropolis. This in turn added to the destruction of their family life

by staying away from home for long stretches while on military

campaign. The men would come home when they could, sexually relieve

themselves, and then leave again to continue a senseless war.

The women challenge the masculine role model to preserve the

traditional way of life of the community. When the women become

challenged themselves, they take on the masculine characteristics and

attitudes and defeat the men physically, mentally but most of all

strategically. Proving that neither side benefits from it, just that

one side loses more than the other side.

It's easy to see why fourth century B.C. Athenian women would get tired

of their men leaving. Most Athenian women married in their teens and

never had to be on their own, and probably wouldn't know what to do if

they did land on their own. The men leave for war and some don't return

because of death or whatever reasons, so now a widow finds herself on

her own, probably with children, and no one to take care of her or her

children. She might be able to enter her male children as a

journeyman/ward to a wealthy family (who either have no male children,

or most likely lost their son(s) in one of the wars) that will raise

him. The widow has few prospects. If she's young and attractive enough

with the right domestic skills she might be able to remarry. But her

lot isn't too promising. After all, why would you want a widow, when

you could get a "fresh" wife to "break-in" the way you want and start a

family from your own seed?

According to Lysistrata it is easier to untangling multinational

politics, stop wars and fighting than the women's work of sorting out

wool. If you just stop war, it's settled, but with wool all tangles

must be physically labored out by hand. Women's work is never done.

Lysistrata insists that women have the intelligence and judgment to

make political decisions. She came by her knowledge, she says, in the

traditional way:

"I am...

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