Essay on King Lear

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Once Were Warriors
Filmic technique plays a vital role in the way an audience looks at a character or society in a whole. Lee Tamahori’s film “Once were warriors” uses filmic technique in the crafting of the characters, the roles they adopt and the society they live in.
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The Hopeless Plight: Edna's Struggle with Identity and Society
The society of Grand Isle places many expectations on its women to belong to men and be subordinate to their children. Edna Pontellier's society, therefore, abounds with "mother-women," who "idolized their children, worshipped their husbands, and esteemed it to a holy privilege to efface themselves

In order to understand the theme of Shakespeare's great tragedy, "King Lear", we must explore what is meant by 'eyesight or lack of it'. Eyesight is a recurring theme throughout the play, which refers to the metaphorical and physical blindness of the characters.

From the beginning, Shakespeare lets the audience see King Lear as himself. Lear isn't given any premisconceptions and the audience is left to explore Lear's character on their own.

In the first scene the audience sees Lear proclaiming to his three daughters that, in order to be awarded her dowry, she must express her love accordingly to him. Goneril going first uses wit, deceit and Lear's state of metaphorical blindness to create such an indulgent speech of which no father could disapprove. "I love you more than word can wield the matter; dearer than eyesight, space and liberty...rich or rare; no less than life, with grace, health, beauty, honor...beyond all matter of so much I love you" (Act I, scene I, 55-61)

At this point of the play, the audience has their first insight to Goneril's true personality, and Lear's lack of eyesight. It's not until we hear all three daughters' speeches that the audience is introduced to Lear's metaphorical blindness. The metaphorical language and beauty of both Goneril and Regan’s speeches blind Lear. It is Lear's blinded state that stops him from understanding and accepting Cordelia's expression of her love. "Noting will come of nothing. Speak again." (Act I, scene I, 90)

Lear's eyesight blinds him of the truth. Cordelia's speech challenges Lear's intellect and portrays him as being less powerful, than he was implied to be in the beginning.

Cordelia's speech is the first point in the play where the audience sees the difference between the three daughters and the truth behind King Lear.

Goneril and Regan's' speeches give Lear exactly what he wants to hear. Lear seems to be entertained by the fact that each daughter is competing against each other's love towards him; or how great they can make out that their love is for him, is. It is for this reason, that when Cordelia finds it hard to heave her heart into her mouth; unlike her sisters; that Lear acts in such the way he did. "Let it be so, thy truth then be thy dower...by the sacred radiance of the sun, of Hecate and the night...I disclaim all my paternal care...a stranger to my heart and me Hold thee from this for ever." (Act I, scene I, 110-115) Lear's anger ridden speech does not hide his frustration, and the fact that he is doing all the damage. Driven by his own blindness/lack of sight, Lear begins to make many mistakes, which later in the play, the audience sees him get his justice. He not only loses his daughter; in his darkened state, but probably the most loyal friend he had, Kent.

His next words, to Kent, make the point clear. "Come not between the dragon and his wrath. I loved her most, and though to set my rest on her kind nursery.-Hence and avoid my sight" (Act I, scene I, 122-124) This quote says two things about Lear; that he can admit to his own wish for peace and rest, although he will not exhibit to the audience his need of it. Lear also cannot acknowledge the fact that both Cordelia and he are being stubborn and selfish to not allow love except on their own terms. Cordelia's speech says a lot about...