Staging Term paper

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Pirandello's masterpiece, "Six Characters in Search of an Author" is

well known for its innovative techniques of characterization,

especially in the fullness of character as exhibited by the

Stepdaughter and the Father, but it is especially renowned, and

rightfully so, for the brilliant staging techniques employed by its

author. Pirandello uses his innovative staging techniques specifically

to symbolize, within the confines of the theater, the blending of the

theater and real life. Chief among these, of course, is the way in

which the author involves the audience in his production, to the point

which, like a medieval audience, they become part of the action, and

indeed, a character in its own right. The use of lines provided in the

playbill was the first of its kind; never before had an author dared to

ask the members of the audience to perform, even though unpaid, and

indeed, paying for the experience themselves. But without those lines,

how much less impressive would that moment be when the Director,

understandably at the end of his rope with the greedy characters (who

have been from the start trying to coerce him into writing a script for

non-union wages), shouts "Reality! Fantasy! Who needs this! What

does this mean?" and the audience, in unison, shouts back, "It's us!

We're here!" The moment immediately after that, when the whole cast

laughs directly at the audience, pointing at them in glee, is nearly

unbearable for an audience, as shown b! y the riot after the first

performance, when the audience not only ripped the seats out of the

theater, but stole the popcorn. Pirandello also used a technique he

inherited from the "Cirque de Soleil," involving a trapeze hung from

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