Essay on The Scarlet Letter Analysis
The Scarlet Letter Analysis Term Papers
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Nathaniel Hawthorne's background influenced him to write the bold
novel The Scarlet Letter. One important influence on the story is
money. Hawthorne had never made much money as an author and the birth
of his first daughter added to the financial burden ("Biographical
Note" VII). He received a job at the Salem Custom House only to lose
it three years later and be forced to write again to support his
family (IX). Consequently, The Scarlet Letter was published a year
later (IX). It was only intended to be a long short story, but the
extra money a novel would bring in was needed ("Introduction" XVI).
Hawthorne then wrote an introduction section titled "The Custom House"
to extend the length of the book and The Scarlet Letter became a full
novel (XVI). In addition to financial worries, another influence on
the story is Hawthorne's rejection of his ancestors. His forefathers
were strict Puritans, and John Hathorne, his great-great-grandfather,
was a judge presiding during the S! alem witch trials ("Biographical
Note" VII). Hawthorne did not condone their acts and actually spent a
great deal of his life renouncing the Puritans in general (VII).
Similarly, The Scarlet Letter was a literal "soapbox" for Hawthorne to
convey to the world that the majority of Puritans were strict and
unfeeling. For example, before Hester emerges from the prison she is
being scorned by a group of women who feel that she deserves a larger
punishment than she actually receives. Instead of only being made to
stand on the scaffold and wear the scarlet letter on her chest, they
suggest that she have it branded on her forehead or even be put to
death (Hawthorne 51). Perhaps the most important influence on the
story is the author's interest in the "dark side" ("Introduction"
VIII). Unlike the transcendentalists of the era, Hawthorne "confronted
reality, rather than evading it" (VII). Likewise, The Scarlet Letter
deals with adultery, a subject that caused much scandal when it w! as
first published (XV). The book revolves around sin and punishment, a
far outcry from writers of the time, such as Emerson and Thoreau, who
dwelt on optimistic themes (VII). This background, together with a
believable plot, convincing characterization, and important literary
devices enables Nathaniel Hawthorne in The Scarlet Letter to the
develop the theme of the heart as a prison. The scaffold scenes are
the most substantial situations in the story because they unify The
Scarlet Letter in two influential ways. First of all, every scaffold
scene reunites the main characters of the novel. In the first scene,
everyone in the town is gathered in the market place because Hester is
being questioned about the identity of the father of her child (
Hawthorne 52). In her arms is the product of her sin, Pearl, a three
month old baby who is experiencing life outside the prison for the
first time (53). Dimmesdale is standing beside the scaffold
because he is Hester's pastor and it is his job to convince her to
repent and reveal the father's name (65). A short time later,
Chillingworth unexpectedly shows up within the crowd of people who are
watching Hester after he is released from his two year captivity by
the Indians (61). In the second scene, Dimmesdale is standing on top
of the scaffold alone in the middle of the night (152). He sees Hester
and Pearl walk through the market place on their way back from
Governor Winthrop's bedside (157). When Dimmesdale recognizes them and
tells them to join him, they walk up the steps to stand by his side
(158). Chillingworth appears later standing beside the scaffold,
staring at Dimmesdale, Hester, and Pearl. In the final scaffold scene,
Dimmesdale walks to the steps of the scaffold in front of the whole
town after his Election day sermon (263). He tells Hester and Pearl to
join him yet again on the scaffold (264). Chillingworth then runs
through the crowd and tries to stop Dimmesdale from reaching the top
of the scaffold, the one place where he can't reach him (265). Another
way in which the scenes are united is how each illustrates the
immediate, delayed, and prolonged effects that the sin of adultery has
on the main characters. The first scene shows Hester being publicly
punished on the scaffold (52). She is being forced to stand on it for
three hours straight and listen to peop! le talk about her as a
disgrace and a shame to the community (55).
Dimmesdale's instantaneous response to the sin is to lie. He
stands before Hester and the rest of the town and proceeds to give a
moving speech about how it would be in her and the father's best
interest for her to reveal the father's name (67). Though he never
actually says that he is not the other parent, he implies it by
talking of the father in third person (67). Such as, "If thou feelest
it to be for thy soul's peace, and that thy earthly punishment will
thereby be made more effectual to salvation, I charge thee to speak
out the name of thy fellow-sinner and fellow-sufferer" (67).
Chillingworth's first reaction is one of shock, but he quickly
suppresses it (61). Since his first sight of his wife in two years is
of her being punished for being unfaithful to him, he is naturally
surprised. It does not last for long though, because it is his nature
to control his emotions (61). Pearl's very existence in this scene is
the largest immediate effect of her parents' crime (52). She obviously
would never had been there had her parents resisted their love for
each other. The second scene occurs several years later and shows the
effects after time has had a chance to play its part. It begins with
Dimmesdale climbing the stairs of the scaffold in the middle of the
night because it is the closest that he can come to confessing his sin
(152). This scene is especially important because it shows how
pitiful he has become. Dimmesdale shows just how irrational he is when
he screams aloud because he fears that the universe is staring at a
scarlet token on his breast (153). It also shows how much guilt he is
carrying by the way he perceives the light from a meteor as the letter
A. He believes it stands for adulteress while other people think it
stands for angel since the governor just passed away (161). This scene
also shows how Hester is managing her new situation. When Dimmesdale
tells her to come up the scaffold and asks her where she has b! een,
she replies that she has been measuring the robe that the governor is
to be buried in (158). This statement implies that Hester's reputation
as a talented seamstress has spread. Ironically, her first well known
piece of work was the scarlet letter that she wore on her chest. As a
result, she owes her own success to her infamy. Besides growing older,
Pearl's most significant change is in her perceptibility (158). In
this scene, she constantly asks Dimmesdale if he will be joining
Hester and herself on the scaffold tomorrow at noon and accuses him of
not being true (162). Neither Hester nor Dimmesdale ever told Pearl
who her father was, but she figures it out by the way he always holds
his hand over his heart (159). Chillingworth's derangement is evident
in this scene also. His contempt for Dimmesdale is so acute that he
risks his cover when he gives him a look so vivid as to remain painted
on the darkness after the bright meteor that just passed, vanishes
(161). The third scene is very critical because it is the last glimpse
into every characters' mind and the last time that everyone is alive.
At this point in time, Dimmesdale's fixation on his sin has utterly
corroded him to the point of death. After he gives his election day
sermon, he goes to the scaffold and asks Hester and Pearl to join him
because he is so weak that he can hardly support himself (265). He
finally exposes the truth and tells his followers of how he deceived
them (267). The only good that comes out of conceding his guilt is
that he passed away without any secrets, for he was already too
far gone to be able to be saved (269). This scene is important to the
characterization of Hester because it is the first time that
she is not in complete control of her emotions (264). Her dream of
escaping to England with Dimmesdale is lost when he decides to confess
(264). The unanticipated arrival of Chillingworth and Dimmesdale's
feeble appearance distresses her, and for the first time, she can not
control the outcome (264). The greatest transformation in Pearl's life
occurs in this scene. While she used to be perceived as elfish, she
now shows the first signs of normal human emotion. After Dimmesdale
confesses his sin, she kisses his lips voluntarily (268). "The great
scene of grief…had developed all her sympathies; and as her tears fell
upon her father's cheek, they were the pledge that she would grow up
amid human joy and sorrow, nor forever do battle with the world, but
be a woman in it" (268). Ultimately, Chillingworth takes a severe turn
for the worse when Dimmesdale reveals his sin. Since Chillingworth
based the rest of his life on playing games on Dimmesdale's mind, he
was left without any goals, and his life became meaningless (268). On
that account, it is clear that Hawthorne uses the scaffold scenes, not
only as a unifying device, but as a means to keep the...
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