Immortal Poetry Essay
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An Essay Study of Poetry and
A Poet's Ability to Forsee<
The Future
The world is changing and evolving at an astounding rate. Within the
last one hundred years, the Western community has seen advances in technology
and medicine that has improved the lifestyles and longevity of almost every
individual. Within the last two hundred years, we have seen two World Wars,
and countless disputes over false borders created by colonialists, slavery,
and every horrid form of human suffering imaginable! Human lifestyles and
cultures are changing every minute. While our grandparents and ancestors
were growing-up, do you think that they ever imagined the world we live
in today? What is to come is almost inconceivable to us now. In this world,
the only thing we can be sure of is that everything will change. With all
of these transformations happening, it is a wonder that a great poet may
write words over one hundred years ago, that are still relevant in today’s
modern world. It is also remarkable that their written words can tell us
more about our present, than they did about our past. Is it just an illusion
that our world is evolving, or do these great poets have the power to see
into the future? In this brief essay, I will investigate the immortal characteristics
of poetry written between 1794 and 1919. And, I will show that these classical
poems can actually hold more relevance today, than they did in the year
they were written. Along the way, we will pay close attention to the style
of the poetry, and the strength of words and symbols used to intensify
the poets’ revelations. The World Is Too Much with Us, written by William
Wordsworth in 1807 is a warning to his generation, that they are losing
sight of what is truly important in this world: nature and God. To some,
they are one in the same. As if lacking appreciation for the natural gifts
of God is not sin enough, we add to it the insult of pride for our rape
of His land. Wordsworth makes this poetic message immortal with his powerful
and emotional words. Let us study his powerful style: The world is too
much with us; late and soon, Getting and spending, we lay waste our powers:
Little we see in Nature that is ours; We have given our hearts away, a
sordid boon! (Lines 1 - 4) Materialism, wasteful selfishness, prostitution!
These are the images that these lines bring to me! Yet, is it not more
true today than in Wordsworth’s time, that we are a culture of people who
simply consume and waste? The third line awakens me, and says that I have
been raised with the mentality that I am not a part of nature, and that
I do not identify my needs with those of nature’s needs. This mentality
may have been quite true in 1807, but it is surely more true in 1996. There
is absolute disregard of nature in the acts of well respected western corporations.
Would someone who is in-touch with nature orchestrate the “slash and burn”
of beautiful rain forests of South America, or the life giving jungles
of Africa and Asia? Would someone who is in-touch with nature dump chemical
waste into waters that are home to billions of plants and animals? These
and other abominations have surely increased in the last 189 years since
this poem was written. What makes the sin even worse is the fact that men
who order this destruction are well respected people in our culture. The
winds that will be howling at all hours, And are up-gathered now like sleeping
flowers; For this, for everything, we are out of tune; It moves us not.
– Great God! (Lines 6 - 9) Wordsworth gives life to nature in his words,
and displays to us nature’s agony and pain, “howling at all hours.” But,
we listen not! For we are out of tune, and much too important to ourselves,
that we may not listen to the wind, rain, land or sea. I do not know which
is the greater sin: the pillage of the earth’s natural beauty, or man’s
torturous inhumanity toward his fellow man. London, written in 1794, by
William Blake is a poem of civilization’s decline – and also the decline
of compassion and humanity. I wander thro’ each charter’d street, Near
where the charter’d Thames does flow, And mark in every face I meet...
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