The God of small things Essay

The God Of Small Things Term paper

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“The commercialism and political colonization in The God of small things” The God of Small Things tells the story of one family in the town of Ayemenem in Kerala. The God of Small Things presents an often mixture of different times, images, stories and sensations from the past blend together with present moments. The characters are hybrid means not purely Indian not purely British. The post colonial experience has made the goal of harmonious family relationships that much more
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difficult. Although The God of Small Things tells the story of the Ipe family and their adjustments to the postcolonial situation in Kerala. The novel depicts the personal life of the family with the political life and social caste system of the society. The family includes Mammachi, her two grown children, Ammu and Chacko, who are both divorced and have returned home, and Ammu’s seven-year-old twins: a daughter, Rahel, and a son, Estha. In this novel Roy talks
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about the changing scene in India and she also focus on idea how western culture primates the life of Indians. As Baby kochamma loves to watch TV programs of BBC America. Baby Kochamma followed American NBA league games, one-day cricket and all the Grand Slam tennis tournaments, on weekdays she watched The Bold and the Beautiful and Santa Barbara. All these English programs reveal the fact that the colonized people of India still attracted by the culture
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of western colonizers. They mimic it and copy it by watching English programs and by using English language as Baby Kochamma make the twins to write hundred times each” I will always speak English”. Whenever she caught them while conversing in their native language Malayalam. They followed the western culture in their business as well, their grandmother Mammachi’s old pickle factory named as “Paradise Pickles & preserves” this English name first reveal the theme of preservation that
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the old lady Mammachi wanted to preserve the old customs and traditions. It was Chacko, Mammachi’s son who arrived back from Oxford University. As he returned from Europe and he was trained in that civilization where labeling things was very important and he learnt it from the west culture so he labeled the factory with the name of “Paradise Pickles & Preserve”. He followed their culture and introduced it in India as local name of the factory is not acceptable
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and nobody will buy anything from them. So the factory was labeled with the western name not with their native language, not as with Indian name “Parashuram pickles”. It was Chacko’s idea to paint Billboard on the Plymouth’s roof. The arrival of billboards refers to the arrival of western culture and it depicts the changing face of India in 1970s and onwards. Then there is a reference of the “History house”. It was the house of an
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Englishman who now had gone native as he adopted their language “Malayalam”. He was not native Indian but an Englishman who is cruel like Kurtz in the novel “Heart of Darkness”. The History House belonged to Kari Saipu who was actually an Englishman. Kari Saipu was a symbol of the colonizer as the kind of man to steal Indian dreams and “redream” them, an Englishman trying to take on the culture of India. India gained its independence from
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Britain years earlier, but evidence of British culture is everywhere like the fact that the family speaks English and is going to see a movie in English. The Ipe family went to watch an English movie in the cinema this depicts their deep attraction towards the colonizers culture. It shows the glimpses of changing India and mixing of culture. As in the cinema while watching movie, Estha was singing English song and there was a Orangedrink Lemondrink man who offered
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drink to Estha but he refused by
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