How V For Vendetta And Blade Runner Present Their Ideas Essay

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Intro: Often, visual texts are able to present ideas through the director’s use of certain film conventions and techniques; and therefore encourage viewers to respond to them. This is evident in the films of Blade Runner and V For Vendetta created by Ridley Scott and James McTeigue, respectively. Blade Runner presents the idea of globalisation and government control through the police. V for Vendetta also displays the similar idea of government control as well as discrimination against minority groups. These ideas frustrate and anger me and both directors have used the techniques of camera angles, lighting, setting and audio codes to arouse these feelings in me.

Body 1: Blade Runner presents the idea of globalisation through Scott’s use of camera angles, dialogue and setting. The presentation of globalisation makes me feel angry toward the idea because of how it is displayed negatively. Globalisation is the process by which regional economies, societies, and cultures have become incorporated through a global network of political ideas through communication, transportation, and trade. The film setting of Blade Runner is a main component behind the construction of globalisation. The film is set in a post-apocalyptic future, 2019 society in Los Angeles. The streets of Los Angeles are crammed with people who are ‘emotionally separated by language barriers’; Deckard’s resigned frustration as he tries to order food from a Chinese vendor, ‘religious alienation’; the Hare Krishna’ dancing their way through an oblivious crowd and ‘their differing racial origins’; the streets and markets are full of Asians and Orientals, but Taffy Lewis’s night club is predominantly white. This noisy, congested Los Angeles we’re presented with is the equivalent of a second great depression, as if America has plunged into an economic hole. This causes me to feel angry because the economic integration displayed in Blade Runner is not how I would have thought our future society should turn out. Another example of globalisation is the giant blimp that parades its advertising screens above the city inhabitants and spouts corporate jargon. It shamelessly offers false promises about life in the off-world colonies through dialogue of, “The chance to begin again in a golden land of opportunity and adventure”. The use of ‘again’ elicits thoughts that the “American Dream” has died and the economic downfall has caused them to resort to space adventure. Also, the camera angles to view the blimp are often low and high angled and depict it as being dominant and alienating. The blimp also says another important phrase, “… helping America into the new world”. This globalized, corporate owned “new world” is possibly a reference to the futuristic society of Aldous Huxley’s classic sci-fi novel, Brave New World. Perhaps “Forcing America into the new world” would be a more appropriate term. It also supports the dying “American Dream”, as they are moving ‘into the new world’. In addition, throughout the film the viewers are displayed multiple bright flashing trade names, such as, Coca-Cola, TDK and RCA, these prompt the viewer in a subliminal way because they are world dominating companies. Therefore it enhances the idea of globalisation. I feel frustrated with the idea of globalisation in Blade Runner because it isn’t a positive reflection of a futuristic society. The “little people” in the streets are living in a state of moral and physical decay, whilst the monuments to corporate America rise above them.

Body 2: The idea of government control by the police is presented in Blade Runner through Scott’s use of camera usage and dialogue; and its negative connotations cause me to respond in anger toward it. The dialogue of Bryant reveals the controlling nature of the police. Bryant’s response to Deckard refusing to return to his Blade Runner role is a clear indicator of police control and corruption: “You know the score pal! If you’re not cop you’re little people … no choice pal”. And when he later adds Rachel to the list of replicants who Deckard must kill, it is clear that Bryant will never let him leave the Blade Runner role. This brings forth a response of anger from me as the people don’t have any rights; they have ‘no choice’, but to conform. Another example is the camera shots exposing dominance of corporations and the omnipresent police force is present in that the only air traffic we see throughout the film...

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