Jazz Term paper
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Jazz has been an influence in many artist's work, from painting to other forms
of music. Jazz is an American music form that was developed from
African-American work songs. The white man began to imitate them in the 1920's
and the music form caught on and became very popular. Two artists that were
influenced by jazz were Jean-Michel Basquiat and Stuart Davis. The influence is
quite evident in many of their works, such as Horn Players, by Basquiat, and
Swing Landscape, by Davis. Stuart Davis was born in Philadelphia in 1894. He
grew up in an artistic environment, his father was art director of a
Philadelphia newspaper, who had employed Luks, Glackens, and other members of
the Eight. He studied with Robert Henri from 1910 to 1913, made covers and
drawings for the social realist periodical The Masses, which was associated with
the Ash-can School, and exhibited watercolors in the Armory Show, which made an
overwhelming impact on him. After a visit to Paris in 1928 he introduced a new
note into U.S. cubism, basing himself on its synthetic rather than its
analytical phase. Using natural forms, particularly forms suggesting the
characteristic environment of American life, he rearranged them into flat
poster-like patterns with precise outlines and sharply contrasting colors. He
later went on to pure abstract patterns, into which he often introduced
lettering, suggestions of advertisements, and posters. The zest and dynamism of
such works as Swing Landscape reflect his interest in jazz, which Davis
considered to be the counterpart to abstract art. Davis is often considered to
be the outstanding American artist to work in a cubism idiom. He made witty and
original use of it and created a distinctive American style, for however
abstract his works became he always claimed that every image he used had its
source in observed reality. Davis once said " I paint what I see in
America, in other words I paint the American scene." Stuart Davis' works of
the late 1930's celebrate the urban and technological environment and are quite
complex and frequently recall Legers's brightly coloured geometric forms. Early
works depict saloons and ragtime musicians. Titles and images of his works in
the 30's reflect syncopation and unusual rhythm of jazz, particularly swing .
Jean-Michel Basquiat was born in 1960, four years before Stuart Davis' death. At
an early age Basquiat showed an interest and love for drawing. His mother often
took him to The Brooklyn Museum, The Museum of Modern Art, and The Metropolitan
Museum of Art. At the age of seven he and a friend of his wrote and illustrated
a children's book. Basquiat was inspired by Alfred Hitchcock films, cars, comic
books, and Alfred E. Newman from Mad Magazine. By the time he was seven he was
an avid reader of French, Spanish, and English texts. In his teenage years
Basquiat ran away from home often. He did not like obedience. By 1978 he was in
with the "in crowd." The filmmakers and artists of New York. He
enjoyed doing graffiti work using the name SAMO ( same old *censored* ).
Basquiat's career was divided into three broad phases. From 1980 to 1982 he used
painterly gestures, mostly skeletal figures that signal his obsession with
mortality. He also used figures that represent street existence, such as
policeman,...
Marshall, Richard. Jean-Michel Basquiat. New York: Harry N. Abrams, 1992.Wasserman, Emily. The American Scene - Early Twentieth Century. New York:
Jupiter Art Library, 1984.
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