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Morality Of Science Term paper

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The Morality Of Science
The Morality of Science Lesley Hubbard June 14, 2000 There are two parallel stories in Mary Shelley’s Frankenstein, “one of attempting to discover the secret of life and the other ...
There are two parallel stories in Mary Shelley’s Frankenstein, “one of attempting to discover the secret of life and the other of forcing nature to open her secrets to man (Neal).” This novel can be looked by combining those two stories into a theme of the scientist who seeks to play God and what happens to him in his quest to create life from death. When looking at the book in this regard, “the reader discovers the dangers inherent in
Morality Of Science
There are two parallel stories in Mary Shelley’s Frankenstein, “one of attempting to discover the secret of life and the other of forcing nature to open her secrets to man ...
defying the natural order, (Neal)” and the potential consequences of scientific discovery. Victor Frankenstein, fascinated with scientific exploration in the physical world, embarked upon an experiment that forever changed his life and that of his family and friends. During his studies away from home, Victor foolishly decides that he will play God. “I will pioneer anew way, explore unknown powers, and unfold to the world the deepest mysteries of creation (Shelly p. 47).” “What lies behind Frankenstein’s scientific projects is
animal testing
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obviously an attempt to gain power (Damyanov).” Victor devotes himself to his task of creating life from death for a period of two years without once considering the implications of the result of his experiment. “Thoughtless Victor built in no safety controls, no device to assure that only good actions would be performed (Neal).” “Shelley warns us of the dangerous division between the power-seeking practices of science and the concerns of humanists with moral responsibility, emotional communion, and spiritual values
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(Damyanov).” Victor invested so much selfish care and time into his creation and never thought of the implications of his success. As if almost seeing into the future, Shelly gives us a “warning to consider the final effects of scientific exploration and experiment (Neal).” Neglecting all moral implications of his creation, Victor completes his work. Victor never imagined that his success would create horror instead of joy and immortality. “It was a dreary night in November that I beheld the
Abortion
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accomplishment of my toils (Shelley p. 56).” “How can I describe my emotions at this catastrophe, or how delineate the wretch whom with such infinite pains and care I had endeavored to form (Shelley p. 56)?” Even when Victor came to the realization that his success in creating his being had become an abhorrence, he took no responsibility in trying to remedy his actions or take care of the creature. “Victor emulated God’s actions when he created the being (Neal).”
Business Ethics
Businesses have power through their ability to spend vast amounts of money. They have the ability to enhance or change situations that the common individual does not. As organizations affect ...
He had hoped “a new species would bless me as its creator and source ;many happy and excellent natures would owe their being to me (Shelly p. 52).” Unfortunately for Victor, the exact opposite resulted. Victor was responsible to his creation as a father is to a child, but only tried to escape the creature’s wretchedness. The creature has been left to his own devices to either become part of society, or to live alone in hiding, suffering, and pain.
Oppenheimer and The ATomic Bomb
Julius Robert Oppenheimer and the Atomic Bomb J. Robert Oppenheimer was a brilliant physicist and known as the ”Father of the Atomic Bomb”. ...
Victor awoke the day after witnessing his creature come to life in a horrifying form and in finding the
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Shelly, Mary. Frankenstein. Ed. Maurice Hindle. London: Penguin Group, 1992.
Damyanov, Orlin. “Technology and it’s dangerous effects on nature and human
life as perceived in Mary Shelley’s Frankenstein and William Gibson’s
Neuromancer.” http://www.geocities.com/Paris/5972/gibson.html Neal, Patricia
A., Ph.D. “Mary Shelley’s Frankenstein: Myth for Modern Man.” http://htserver.shc.edu/www/Scolar/neal/neal.html
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