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Jazz

Essay submitted by Unknown


Jazz has been an influence in many artist's work, from painting to other forms of music.

Jazz is an American music form that was developed from African-American work songs.

The white man began to imitate them in the 1920's and the music form caught on and

became very popular. Two artists that were influenced by jazz were Jean-Michel

Basquiat and Stuart Davis. The influence is quite evident in many of their works, such

as Horn Players, by Basquiat, and Swing Landscape, by Davis.


Stuart Davis was born in Philadelphia in 1894. He grew up in an artistic environment, his

father was art director of a Philadelphia newspaper, who had employed Luks, Glackens,

and other members of the Eight. He studied with Robert Henri from 1910 to 1913, made

covers and drawings for the social realist periodical The Masses, which was associated

with the Ash-can School, and exhibited watercolors in the Armory Show, which made

an overwhelming impact on him. After a visit to Paris in 1928 he introduced a new note

into U.S. cubism, basing himself on its synthetic rather than its analytical phase. Using

natural forms, particularly forms suggesting the characteristic environment of American

life, he rearranged them into flat poster-like patterns with precise outlines and sharply

contrasting colors.


He later went on to pure abstract patterns, into which he often introduced lettering,

suggestions of advertisements, and posters. The zest and dynamism of such works as

Swing Landscape reflect his interest in jazz, which Davis considered to be the

counterpart to abstract art. Davis is often considered to be the outstanding American

artist to work in a cubism idiom. He made witty and original use of it and created a

distinctive American style, for however abstract his works became he always claimed

that every image he used had its source in observed reality. Davis once said " I paint

what I see in America, in other words I paint the American scene."


Stuart Davis' works of the late 1930's celebrate the urban and technological

environment and are quite complex and frequently recall Legers's brightly coloured

geometric forms. Early works depict saloons and ragtime musicians. Titles and images of

his works in the 30's reflect syncopation and unusual rhythm of jazz, particularly swing

.


Jean-Michel Basquiat was born in 1960, four years before Stuart Davis' death. At an

early age Basquiat showed an interest and love for drawing. His mother often took him

to The Brooklyn Museum, The Museum of Modern Art, and The Metropolitan Museum of

Art. At the age of seven he and a friend of his wrote and illustrated a children's book.

Basquiat was inspired by Alfred Hitchcock films, cars, comic books, and Alfred E.

Newman from Mad Magazine. By the time he was seven he was an avid reader of

French, Spanish, and English texts. In his teenage years Basquiat ran away from home

often. He did not like obedience. By 1978 he was in with the "in crowd." The filmmakers

and artists of New York. He enjoyed doing graffiti work using the name SAMO ( same

old shit ).


Basquiat's career was divided into three broad phases. From 1980 to 1982 he used

painterly gestures, mostly skeletal figures that signal his obsession with mortality. He

also used figures that represent street existence, such as policeman,...

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