The Science Of Galileo Essay
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THE SCIENCE OF GALILEO
The play Life of Galileo is considered a masterpiece and one of the most relevant plays of the 20th century. It addresses the social and political problems of the late 16th and early 17th centuries.
Brecht's play has at its thematic core the repression of individual freedom,
contrasting the antagonistic worlds of Galileo's inner, insatiable drive for discovery
with the brutally efficient tyranny of the Church-as-state which marches in sync
with the chilling machinery of the Inquisition. The dramatic structure has elements
of formal, classic balance, epic in its architecture. Its dominant crisis point is the
earth-shattering recantation of Galileo's revolutionary scientific discoveries.
Richard Gist
The play talks about the science of Galileo and its effect on society. The playwright, Bertolt Brecht, indirectly portrays some characteristics of "the human activity we call science" . In our class we have discussed some characteristics which are similar and others that are different.
One of the major characteristics is revealed when the scientific community refuses and resists the new paradigm that Galileo introduces. This is because scientists believe that he has used "wrong" methods. The new paradigm also contradicts with their religious beliefs, which is obvious when a monk says, "How can the sun stand still if it never moves at all as suggested by this heretic? Are the Scriptures lying?" Furthermore, Galileo's ideas, if proven right, will negatively affect the professional standard of the scientists, as well as their school of thought and seniority. The scientific community of Galileo's time failed to see that discovery is "thinking what nobody has thought" . They also refused to accept this bizarre paradigm because they believed that Galileo used unsuitable research techniques. For example, in Scene 6 one astronomer says, "He is examining it, though. He's sitting in there staring through that diabolical tube."
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