Term paper on A General Interpretation Of Psycho

A General Interpretation Of Psycho Essays

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This paper’s intent is a bare bones interpretation of most of the compelling parts and elements of

Psycho. The title itself, which Hitchcock aptly heeds in his films, tersely signals the viewer of an experience

within pathology; to get a feel for it so to speak. The central meaning can be culled in the first part of the

plot, right through to Marion’s murder and disposal in the far swamp. Within this first part, most

meaningful is the interaction between Marion and Norman, even though he appears only minutes before

the murder. Their personalities and backgrounds could be labeled as opposite, yet they share differences,

and simultaneously, likenesses. And in this comparison they point to morality: how, in shades, the

apparently affable can in nature be depraved, and vice versa. Psycho may be a film about manifested

human frailties, opened by inner and outer conflicts.

What cannot be repeated too often is the importance of stressing this by the use of black and white

film. Its quality is stark, holding differences in sharp contrast; always giving life or a story about some

element in life a grainy, harsh truth in a more open analysis, which makes the traditional themes of the

horror genre native to it. In this caustic line is the motif of the bird in Psycho (and in other Hitchcock

films; The Birds of course). Birds by nature are sharp-sighted and of secret predation. To the benefit of

appearances, ironically the majority are slim and sleek. Constantly, they forage and feed in order

to substantiate their fast heart rates and motion, and to keep their bodies in even temperature. So what

they see, in a way, they pursue or own. Duality is allegorically explained within the character names too.

Norman Bates: the name Norman easily suggests normalcy, perhaps referring to the true expression

of his nature. Bates as a surname hints at a lure or trap, or possibly the game itself used to dupe

would-be-predators. (Maybe both are possible together. The names are juxtaposed.) In first encountering

Marion, Norman appears vulnerable in his nervous courtesy. Almost certainly he’s never been with a

woman before, relating to Marion that he’s about to dine on sandwiches and milk, of all drinks. And after

preparing a tray for her, he balks when she merely smiles congenially to invite him into her room. He

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