William Butler Yeats Poetry Term paper
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Through childhood, there were always forces that were beyond
our control: gravity hurling us down a slide, the recess bell, or
an older brother. In this period of time, we were innocent,
unable to know what the effects of these factors were; they
caused scars, single file lines, and temper tantrums in the back
seat. We were too young to understand what we had gotten
ourselves into. Therefore, not having enough experience to know
how to make our own choices, we were forced to be swept away by
fate. Such this is the case in William Yeats's poems "The Stolen
Child" and "Leda and the Swan." Despite the optimism of the
eventual outcome at first reading these two poems, the characters
in these works were unwilling victims, taken out of their former
worlds, based on the ignorance about greater forces.
A reader's objective views may lead him or her to believe
that these two poems are verses concerning reaching a higher
plateau. For "The Stolen Child," he or she is escaping to a
picturesque world of unboundedness. Leda has been graced with
four of Zeus's offspring. For both, it appears on the surface
that they received an enlightenment or spiritual awakening. The
implicate forces at work are not questioned, but merely accepted
as the key to entering a world of illumination through divine
creatures. But one does not realize the larger picture: a infant
is being kidnapped and a woman is being raped. Both are taken
beyond their will and unjustly must suffer consequences. A closer
reading will refute the opinion that the outcomes for these
characters were freely accepted.
In "The Stolen Child," an innocent is abducted from his or
her youth and free will. At this point of life's journey, one
doesn't have enough experience to differentiate good from evil.
The faeries's refrain has an ominous tone, paralleling the sirens
of Greek Mythology that would lure unsuspecting sailors to their
ruin. The child is lulled away "with a faery, hand in hand" (3).
The image that is represented is either one of the baby
credulously putting his or her trust into these strangers or one
of the baby being forcefully pulled. The faeries are not as
angelic as they appear on the surface. Their reddest cherries are
stolen, much like the sweet child. They are mischievous as well,
giving "slumbering trout" "unquiet dreams" (3). It almost appears
that this child will become the faeries's new toy! Unsettling the
beautiful, utopian atmosphere, the ferns "drop their tears;" the
plants already understand something melancholy and esoteric about
this island. The child does not grasp what risk he or she is
taking, therefore, this is not a choice of free will to leave
this world that is "more full of weeping that (he or...
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