Sound In Franz Fanon Black Sk Essay

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Sound in Opening of Isaac Julien s

Frantz Fanon: Black Skin, White Mask

Marci Ikeler

Language of Film

December 7, 2000

Sound is a very important element in any film; however, it receives particular importance in a documentary because the director must weave together factual information with nondiegetic music, non-simultaneous dialogue, and recreated sound effects. In the documentary Frantz Fanon: Black Skin, White Mask, director Isaac Julien confronts many of these challenges successfully within the first few minutes of the film.

In the opening sequence of the film, Julien presents the title and production credits over a soundtrack of nondiegetic music. This sound is overlaid with the onscreen, diegetic, external sound effect of chalk scraping a chalkboard; correspondingly, we see a simultaneous image of a hand writing text on a chalkboard. Finally, three booms of a bass drum in the music track (with a mellow timbre, low pitch, and medium volume) appear in synch with the visual presentation of the production credits on the screen. In this manner, Julien prepares us for a film...

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