Emily Dickenson Term paper

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Emily Dickinson's Master letters are an interesting set of works that embody a unique outlook

regarding gender relations. Two of the Masters letters, #248 and #233 are examined in this

essay to order to interpret their representation of the authors pure obsession with the addressee,

the Master. Both letters contain a bizarre, near masochist content that clearly express the

authors feelings for her Master. The letters strange symbolism and erotic meanings have been

largely criticized and interpreted in several different angles and speculations have risen to

examine the background to the works as well. Questions have aroused as to whom the

addressee or the Master is, and whether Emily Dickinson is "Daisy" or if the works are merely

pure fiction. In both letters the unrealistic fixation with the Master defines the gender relationship,

but first the purpose and meanings behind the makings of the letters must be examined.

It is important to realize that many aspects of the letters are still uncertain. Many

different aspects of the letters have been challenged and they could prove Dickinson's ideal

intentions. Questions that should be considered are: who the letters are addressed to, are they

real letters or fiction and is it really Emily Dickinson as "Daisy", the name given to the speaker of

the letters. Although there are many views on all these aspects, there are some primary beliefs

which will briefly be discussed next. The addressee of the letters is unknown, but evidence

within these two Master letters can mainly suspect Reverend Charles Wadsworth to be the

"Master". The references to the Church several times in Master letter # 233 supports the idea

that she may be writing to Wadsworth. She brings up terms like "presbyteries"(Dickinson 887),

and also talks of the "Corporation" (Dickinson 887), which are the elderly who help to rule the

church, a position which Wadsworth held. Dickinson asks her Master if he "could forget [her] in

fight, or flight-or the foreign land"(Dickinson 887). This perhaps has a direct reference to

Wadsworth's geographical move away from her, his "flight to a foreign land", and perhaps also

refers to his "fight" to maintain his position in the Church. These are just few of the many detailed

analysis' of Wadsworth possible position as the Master. Another important aspect of the

2

letters is if Dickinson's intent was to write fiction, or if they were personal letters and she was

writing under the pseudonym of Daisy.

Evidence can be supportive of both the possibility of the letters being fiction or private

letters. The letters were written on good paper, but in draft format with several mistakes. The

interesting points that lead one to believe that they were not Dickinson's real life encountered

was the fact that the letters were never mailed nor were they signed by her on the bottom. This

could show evidence of taking on a persona, as well as she wrote to her friendly correspondent

and literary critic Higginson that "When I state myself as the Representative of the Verse- it does

not mean-me-but a supposed person" (Dickinson 891). Here she could very well be admitting

to the Master letters as merely fiction and taking on a persona like she often did in her other

works. But he flip side to this conclusion is that why would she write these specific letters as

fiction when she had several other correspondents that were truly sincere? Dickinson also draws

in people like Wadsworth that were existent in her personal life into these letters, therefore that

could make the letters more personally based. Either way, set conclusions for these seduction

letters can not be drawn before considering all these different aspects that could reshape its

meaning. But disregarding all these curiosities and suggestions, it is certain that the two Master

letters represent an enthralling representation of the relationship between the writer and the

Master.

Both of Emily Dickinson's Master letters that are critiqued in this essay deal...

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