Ansel Adams Essay
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Ansel Easton Adams
Born in San Francisco, Adams manifested an early interest in music and the piano, an interest which he initially hoped to develop into a professional career. In 1916 he took his first photographs of the Yosemite Valley, an experience of such intensity that he was to view it as a lifelong inspiration. He studied photography with a photofinisher, producing early work influenced by the then prevalent pictorialist style. Each summer he returned to Yosemite where he developed an interest in conservation.
Adams invented a method of exposure and development called the zone system, which he used to divide the gradations of light in a scene into ten zones from black to white; this allowed him to visualize the different levels of gray in the final photograph with great accuracy. The control he achieved with this system enabled him to capture such subtle changes of tone and light that he could return again and again to the same scene, yet produce images that were always fresh, never repetitive.
By 1920 he had formed an association with the Sierra Club. In 1927 his first portfolio was published, Parmelian Prints of the High Sierras. In 1928 he married Virginia Best and began to work as an official photographer for the Sierra Club. His decision to devote his life to photography was influenced by his strong response to the straight photography of Paul Strand, whom he met in 1930. Adams's first important one-man show was held in 1931 at the M. H. de Young Memorial Museum, and in the same year his work was exhibited at the Smithsonian Institution. In 1932 Adams and other California photographers, including Edward Weston and Imogen Cunningham, founded an influential group called f/64, which was devoted to taking straightforward photographs in sharp focus. In 1935 Adams published Making a Photograph, the first of a series of technical manuals. He helped found the photography department of the Museum of Modern Art in New York City in 1940, the first such department in any museum.
After meeting with Alfred Stieglitz in 1933, he began a gallery in San Francisco, the Ansel Adams Gallery. The first of his books dealing with the mastery of photographic technique, Making a Photograph, was published in 1935. Meanwhile, Adams had impressed Stieglitz so much that an important one-man exhibition of his work was shown at An American Place in 1936. With the arrival of World War II, Adams went to Washington, D.C., where he worked as a photomuralist for the Department of the Interior. He work on a wartime...
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