Term paper on Duality In Frankenstein
Duality In Frankenstein Essays
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A man of two minds will end up with neither satisfied.
- Plato
Mary Shelley s novel, Frankenstein, tells the gothic tale of a curious scientist, Victor Frankenstein, yearning to mimic the life-giving act of Mother Nature. His creature does not turn out to be all that he expected, and the story deals with the conflict between Victor and his creature, and between the creature and society. But nowhere in the story does Victor (or Shelley) ever give his creature a name. This is an important aspect of the novel, to show the hatred Victor has for his own creation. In a sense, this lack of a name reinforces the notion that the creature is an abstract function of the novel, which draws the focus away from the creature itself, and to the interaction between it and Victor. Their perceptions of each other greatly effect the interpretation of the story, namely from the viewpoint that the creature is an alter-ego of Victor. This view brings the story from the superficial, physical level, and to one more philosophic. The creature represents all that Victor sees bad in himself and in that around him, and their coexistence is the dramatic aspect of their mutual destruction.
Victor Frankenstein, the central character in the novel, is an intense, motivated scientist, whose aspiration is to work out the secret to creating life. Eventually, through an unclear process, he does come to understand creation, and he brings to life his own monster, compiled from dead limbs and parts. Little scientific detail is given about this process of creation, but when the creature comes to life, Victor is not satisfied; he is horrified. He finds himself unwilling and unable to control it, and he flees, leaving his newborn man on his own. From this point on, the creature s life read, speak, form and articulate reasonable thoughts, and he shows human emotion. From his self-assumed humanity, he figures that he should be able to interact with the people in society: If, therefore, I could seize him, and educate him as my companion and friend, I should not be so desolate in this peopled earth (96). Though new to life and society, the creature seems to comprehend quite well the workings, emotions, and reason behind people. His encounters with Victor, his reviled maker, yield some of the deepest and most interesting dialogue in the novel, pitting Victor s reason against the creature s. The two, creature and creator, each come to see the other as something to be exterminated out of hate or dissatisfaction or fear. Victor s perception of the creature is as something evil and vile released into an unprepared society; the creature s perception of Victor is as a heartless, stubborn coward. They both view the other with hatred, and have intentions to destroy or ruin their counterpart.
The actual, physical progression of the process of creation is left abstract, and much is left for the reader to fill in. We know that Victor had an obsession with the creation of life, and toils very hard to get to the point where we see him create a new life out of reassembled, dead parts. On a superficial level of the story, this and the events following it simply function as the dramatic aspect of a good horror story. We can see from the text itself that Victor is quite obsessed with his creation, almost to the point of instability. He narrates his fervent labors of the past: I had worked hard for nearly two years, for the sole purpose of infusing life into an inanimate body. For this I had deprived myself of rest and health. I had desired it with an ardour that far exceeded moderation; (34). And after his creature comes to life, Victor is afraid of his creation, both for what it could do to himself and to society: but now that I had finished, the beauty...
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