Poe W Internal Documenations Term paper
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Many romanticists focused on the contemplation of the natural world, but few dared to journey down the road of the unexplainable into the supernatural realms. Only one man, Edgar Allen Poe, crossed the threshold between the real world and the dark and dreary habitat of his mind.
Unlike the masses, Poe disregarded the French revolutionary philosophy, humanitarianism, reform, the new interpretation of nature, and exploration of the past.
He worked on exploiting the purely imaginative faculty of his mind and focused on the realm of mystery and horror (Blankenship, 216). He treaded the rich and sometimes dank soil of the Gothic and grotesque. His tales littered with distraught narrators, deranged heroes, and doomed heroines caused the atmosphere of his work to fall somewhere between a nightmare and hallucination (Edgar Allan Poe, 260). All of his fictions contain an evident irritation with the commonplace and a penchant for intellectual and emotional extremes (Conn, 133). Poe distinguished himself from many of his contemporaries and successors with his feverish search of perfection. To Poe literature was a serious vocation expressing the beauty and poignancy of life and to be effective required flawlessness. One of his few weaknesses however was his intellectual detachment from his time and environment (Blankenship, 216). Poe is most noted for his incredible short stories of the bizarre and insane (Edgar Allan Poe, 260). Poe does not invent the short story, but he is one of the first to distinguish between a story that is short and a short story by defining one. Poe simply states that a short story should emphasize unity or the totality of the impression and brevity because the unity of the story is lost in a mass of details. Also, the writer must chose the desired effect and then create incidents to assist in the creation of that effect (Blankenship, 260).
In addition to the unexplainable, supernatural realms and the consequences of allowing our wants to impel our choices and actions in life, the arts and sciences were recurrent topics for Poe in his poetry. Many times it seemed as if art and science were characters playing the roles of opposite foes, and the same could be said for sanity and insanity. Poe reminds the reader that there is a fine line between sanity and insanity, love and hate, and even the dream world and the real world. It is as if Poe saw dreams as an entrance to the subconscious mind where the line between reality and the imaginary diverged and then blended in a violent, continuous cycle of blurred creativity that bordered on insanity.
In Sonnet-to Science it would seem from his choice of words used to describe science that he thought of science as quite evil. Poe used words like "preyest," "Vulture," and "torn," to describe science's impact on mankind. Apparently, Poe did not view science or the advances made by science as a good thing, rather he felt that science "alterest all things with thy peering eyes.(2)" The eye for most poets has long been considered a window to the soul and as such Poe must have thought that science was becoming to God-like if it had such power to alter all things just by examining them closely. It would seem that he felt certain things about the human psyche or form needed to remain a secret from man. He most certainly felt that science was trespassing on matters of the heart in terms of the heart representing emotion and...
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